Inspired by the scarred walls of Beirut, Sara's paintings reveal a Lebanese memorial imprint, woven between the scars of war and a luminous nostalgia for a bygone era.
At the Art on 56th gallery, where she is presenting her latest series of paintings, Sara Chaar — delicate silhouette and Madonna-like translucent face — surprises when she reveals that she paints... with a trowel. "I don’t use brushes, but construction tools," explains this fragile young woman, who creates large abstract works by layering coats of oil paint mixed with cold wax. Each layer forms a “foundation” that she then incises with a box cutter, knife, or sometimes even a screwdriver, in a spontaneous impulse that seems to draw from her unconscious, shaped by her encounters with Beirut’s scarred walls.All of this artist’s creative process, who began painting as a self-taught artist in 2018, is built around a cycle of construction, deconstruction, and reconstruction, echoing the tumultuous history of the Lebanese capital. A...
At the Art on 56th gallery, where she is presenting her latest series of paintings, Sara Chaar — delicate silhouette and Madonna-like translucent face — surprises when she reveals that she paints... with a trowel. "I don’t use brushes, but construction tools," explains this fragile young woman, who creates large abstract works by layering coats of oil paint mixed with cold wax. Each layer forms a “foundation” that she then incises with a box cutter, knife, or sometimes even a screwdriver, in a spontaneous impulse that seems to draw from her unconscious, shaped by her encounters with Beirut’s scarred walls.All of this artist’s creative process, who began painting as a self-taught artist in 2018, is built around a cycle of construction, deconstruction, and reconstruction, echoing the tumultuous history of the...
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