Maryline Naaman, Lynn Tawilé, and Andrew Dawaf, assistant director, during the filming of the music video "Mesh Nafs al-Shi." (Credit: Karl Sfeir)
One basks in the spotlight, center stage. The other prefers the shadows, behind the scenes in editing rooms, wielding the power of a camera and the images it captures. It is there, in the careful balance of light, that she crafts moments for a short film, a music video, an advertisement or a concert, dosing it with precision. When Lynn Tawile arrives for this meeting — petite, slender, seemingly delicate, with a warm and genuine smile — her story quickly reveals otherwise. Not yet 30 and still carrying the freshness of youth, she has nonetheless acquired a quiet maturity in just a few short years. Pragmatic and composed, she lets the facade of fragility slip away. "I love directing," she says. "And I hate being in front of the camera. I am systematic, fast, and I don’t let my emotions take over." Even when those silent emotions...
One basks in the spotlight, center stage. The other prefers the shadows, behind the scenes in editing rooms, wielding the power of a camera and the images it captures. It is there, in the careful balance of light, that she crafts moments for a short film, a music video, an advertisement or a concert, dosing it with precision. When Lynn Tawile arrives for this meeting — petite, slender, seemingly delicate, with a warm and genuine smile — her story quickly reveals otherwise. Not yet 30 and still carrying the freshness of youth, she has nonetheless acquired a quiet maturity in just a few short years. Pragmatic and composed, she lets the facade of fragility slip away. "I love directing," she says. "And I hate being in front of the camera. I am systematic, fast, and I don’t let my emotions take over." Even when those silent...
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