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How Batoul Mourad uses comics to tell south Lebanon's stories to the diaspora

With "Ajnabiyeh," the Lebanese-American illustrator draws on family stories to explore, with humor, the tensions of exile and belonging.

How Batoul Mourad uses comics to tell south Lebanon's stories to the diaspora

Illustrations from "Ajnabiyeh," Batoul Mourad's comic series inspired by family stories, memory and belonging. (Credit: Batoul Mourad)

Batoul Mourad was born in southern Lebanon and raised in New York. Between those two worlds, she found in comics a way to bridge the distance separating her from the memory of her homeland. The first time Mourad heard the word ajnabieh ("foreigner"), it wasn't from strangers but from her own mother.Whenever she refused a traditional dish or reacted in a way considered "too American," her mother would tease her: "Fe'e aa halek mitl al-ajnabieh" ("Wake up, you're acting like a foreigner"). Years later, the nickname became the title of a comic strip series that resonated with thousands of Lebanese across the diaspora. Women diaspora artists Carla Antoun channels Frida Kahlo before turning to Lebanon Through humorous scenes — family meals, sometimes awkward visits to the mosque, codes...
Batoul Mourad was born in southern Lebanon and raised in New York. Between those two worlds, she found in comics a way to bridge the distance separating her from the memory of her homeland. The first time Mourad heard the word ajnabieh ("foreigner"), it wasn't from strangers but from her own mother.Whenever she refused a traditional dish or reacted in a way considered "too American," her mother would tease her: "Fe'e aa halek mitl al-ajnabieh" ("Wake up, you're acting like a foreigner"). Years later, the nickname became the title of a comic strip series that resonated with thousands of Lebanese across the diaspora. Women diaspora artists Carla Antoun channels Frida Kahlo before turning to Lebanon Through humorous scenes — family meals, sometimes awkward visits to the mosque,...
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