For his spring-summer 2026 collection, the Lebanese designer reinterprets the myth of Atlantis in a contemporary context, denouncing the excesses of our era through a display of aquatic effects.
"‘Sous la marée’ is not just a collection, but a meditation on beauty, the planet, and memory. (Credit: Courtsey of Tony Ward/montage by Nima Salha)
Was the myth purely a metaphor, or did it spring from a true story? Atlantis has been a point of contention ever since Plato’s accounts. This prosperous island, “from the depths of the Atlantic,” swallowed up and buried beneath the silt, did it really exist? Was its civilization punished by the gods for its hubris and power? Lebanese designer Tony Ward seizes on the tale and rewrites its story through a contemporary lens. Atlantis becomes, between scissors and needles, a metaphor for our own world: splendid, bathed in light and achievement, but threatened by its own indifference. His new spring-summer 2026 ready-to-wear collection tells not just the story of a sunken continent, but of a humanity sinking in its own excesses: “We are surrounded by beauty, but we no longer have time to feel it,” he points out. The collection of more than 65...
Was the myth purely a metaphor, or did it spring from a true story? Atlantis has been a point of contention ever since Plato’s accounts. This prosperous island, “from the depths of the Atlantic,” swallowed up and buried beneath the silt, did it really exist? Was its civilization punished by the gods for its hubris and power? Lebanese designer Tony Ward seizes on the tale and rewrites its story through a contemporary lens. Atlantis becomes, between scissors and needles, a metaphor for our own world: splendid, bathed in light and achievement, but threatened by its own indifference. His new spring-summer 2026 ready-to-wear collection tells not just the story of a sunken continent, but of a humanity sinking in its own excesses: “We are surrounded by beauty, but we no longer have time to feel it,” he points out. The collection of...
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