ART GALLERY
CINEMA
Fathers, sons, and other sharks in 1970s Brazil: Inaugurating the Brazilian Film Festival in Beirut
FILM REVIEW
In ‘Souraya, Mon Amour,’ the widow does more than dance
CINEMA
Ghassan Salhab’s untitled reflections on 2024
MEMORY
Ghost stories of colonial extraction
EXHIBITIONS
Now and then: The images of Stephan, Khoury and Peacock
ART REVIEW
Sexy oils, on canvas and ceramic
CONCERT