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Lamia Abillama's work exposes the vulnerabilities of Lebanon's powerful figures

On Friday, Dec. 20, at the Sursock Museum, photographer Lamia Abillama presents “Portraits of a Republic,” an album featuring — but not uniting — key figures in Lebanon's political landscape from 2008 to 2024.

Lamia Abillama's work exposes the vulnerabilities of Lebanon's powerful figures

Marada leader Sleiman Frangieh, photographed by Lamia Abillama. Courtesy of the artist

Using an analog camera, Lamia Abillama has created a series of revealing portraits of Lebanese power. Portraits d'une république, with a preface by political scientist Joseph Maila, an introduction by international relations professor Karim Emile Bitar, and biographical notes by L'Orient-Le Jour's co-editor-in-chief, Elie Fayad, contains within its pages the “miserable pile of secrets” of powerful men and women. At a pivotal moment for Lebanon and the region, this book is more than a photo collection; it is a provocation. It presents 75 men and women of power or influence who have shaped Lebanese life over recent decades, capturing them with their vulnerabilities and raw humanity.Juxtaposed in a subjective order known only to the photographer, each subject has given Lebanon their best — and for some, their worst. “The order of succession...
Using an analog camera, Lamia Abillama has created a series of revealing portraits of Lebanese power. Portraits d'une république, with a preface by political scientist Joseph Maila, an introduction by international relations professor Karim Emile Bitar, and biographical notes by L'Orient-Le Jour's co-editor-in-chief, Elie Fayad, contains within its pages the “miserable pile of secrets” of powerful men and women. At a pivotal moment for Lebanon and the region, this book is more than a photo collection; it is a provocation. It presents 75 men and women of power or influence who have shaped Lebanese life over recent decades, capturing them with their vulnerabilities and raw humanity.Juxtaposed in a subjective order known only to the photographer, each subject has given Lebanon their best — and for some, their worst. “The order of...
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